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In the last decade, I got this photo of Evening Star and B. No. 250 and others like it. Little did I know at that time
. . . what I had dismissed as scuttlebutt, that things were not sustainable.
Enter RCM 250. Some of you know the connection, the one that’s been there for a few years already now.
I’m not sure I understand the substance of the change(s) announced in articles like this and this.
The transition was gradual, but
what’s on the surface looks good.
All photos, any errors, WVD.
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