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Ocean Tower passes the tow of Wavertree, aka “ocean wanderer.”
At the east end of Caddell Dry Dock.
Joyce D., no longer the newest Brown boat.
Between Atlantic Salt and Caddell.
In the Morris Canal.
At the southwest end of Shooters aka Mariners Harbor.
On the Shooters Island end of the Bayonne Bridge.
All photos by Will Van Dorp.
A video of the welcome of Half Moon now in Hoorn.
A fun 8-minute 7-day trip from the Hudson River to the Thousand Islands via the Erie Canal, with ALL the locks!
A less-professional video of the arrival of Half Moon in Hoorn, but showing music by the Musiek Boot, delightful man of the waters, Reinier Sijpkens, (click here and scroll) who entertained here in the sixth boro six years ago.
This post shows the second leg of what felt like an epic journey, but first let’s back up about 10 minutes. See the small blue vessel just off the bow of Wavertree?
It’s a King’s Point vessel, and leaning out of the house, it’s Capt. Jonathan Kabak, formerly master of Pioneer, Lettie G. Howard, and other vessels.
So let’s resume . . . the tow travels west of Caddell and rounds up against the tide, ever so
gracefully–to my eyes–making its way to the dock. Thomas J. Brown and later Rae working the port side.
it took a full quarter hour to spin Wavertree 180 degrees and inch it across the KVK, but then the heaving line flew, followed by the dock line.
Thomas J. and Rae worked this side in coordination with Pelham–invisible all this time from my perspective–on the starboard side.
Lots of money will be spent and sweat expended before the NEXT leg of the journey.
The 2001 (or earlier??) photo below comes from Mike Weiss, SSSM waterfront foreman. It shows a more complete rig.
Also from Mike’s FB post, the photo below shows Wavertree in her Argentina barge days. For the saga of Peter Stanford’s efforts to get this hull from Argentina to the sixth boro, read A Dream of Tall Ships starting from p. 221. Actually, the whole book makes an excellent read.
All photos except the last two by Will Van Dorp, who is eager to see Wavertree‘s transformation in the year to come.
From gCaptain, here’s a good explanation of National Maritime Day, yesterday.
But first, many thanks to Bjoern Kils of New York Media Boat for the enjoyable ride aboard his RHIB Amundsen. I’ve decided to divide the photos into two posts. These cover the first 15 minutes (!!) of the trip to the yard.
Bartholdi was finishing up his copper creation a year AFTER Wavertree began its career as a bulk carrier of jute.
I was thrilled to see the tugs that did the tow, starting with Thomas J. Brown. This tug has appeared here many times, but here’s probably my favorite.
On starboard side was Pelham.
This post covers only 15 minutes, but it seemed like ages, watching this highly unusual tow traverse the Upper Bay.
Now if you were on Rae yesterday, you might be feeling left out at this point, but here’s the beginning of your part. I first saw Rae more than 10 years ago , when she was still Miss Bonnie. Click here and scroll.
In the hard hat here and in the rigging earlier probably with the NYTimes photographer who took this photo, it’s Mike Weiss, South Street’s Waterfront Foreman.
Waving from the shrouds here it’s Capt. Jonathan Boulware, now executive director of SSSM.
If there had been a salt pile in the late 19th century, Wavertree could have transported it, as it spent its last years before the 1910 dismasting in the tramp trades . . . Maybe someone can help with specifics here, but I recall reading that Wavertree called in the sixth boro before 1910.
Here’s a closeup of Rae now in Fox colors, and click here for one from five years ago.
And we’ll pick up here tomorrow.
All photos by Will Van Dorp. Many thanks to Bjoern of NY Media boat for the ride and to Mike and Jonathan of SSSM for the advance notice of the transit.
Bravo to South Street Seaport Museum and all its supporters. From their press release: “A celebratory send-off on May 21, 2015 at 12:30pm on Pier 15, with Tom Finkelpearl, Commissioner of the NYC Department of Cultural Affairs; Manhattan Borough President Gale A. Brewer; City Council Member Margaret Chin; Dr. Feniosky Peña-Mora, Commissioner of the Department of Design and Construction; Captain Jonathan Boulware, South Street Seaport Museum Executive Director; and other City Officials.”
“This $10.6 million stabilization and restoration project is funded by the NYC Department of Cultural Affairs, the New York City Council Office, and the Office of the Manhattan Borough President. The project will be undertaken at Caddell Drydock and Repair in Staten Island and will address critical long-term preservation of the ship.”
This will be a long visit to the yard.
If you want to see her at the East River dock, you’ve got only about 48 more hours.
For photos of Wavertree arriving in NYC in 1970 and in Argentina before that, click here and scroll.
Wavertree, steady as she goes.
Tangentially related: given that Wavertree–like Peking–is a “wind ship” without auxiliary power, here’s some exciting news from New England Waterman blog
First, if you’re free today and within travel distance of Lower Manhattan, do yourself a favor and attend this event, 4 p. m., a book signing by Dr. James M. Lindgren. His new book is a much needed complement to Peter Stanford’s A Dream of Tall Ships, reviewed here a few months ago. Details in Preserving South Street Seaport cover almost a half century and will enthrall anyone who’s ever volunteered at, donated to, been employed by, or attended any events of South Street Seaport Museum. Lindgren laments SSSM’s absence of institutional memory saying, “Discontinuity instead defined the Seaport’s administration.” Amen . . as a volunteer I wanted to know the historical context for what seemed to me to be museum administrations’ repeated squandering of hope despite herculean efforts on the part of volunteers and staff I knew.
As my contribution to creation of memory, I offer these photos and I’d ask again for some pooling of photos about the myriad efforts of this museum over the years.
Pier 17. April 17, 2014. According to Lindgren, this mall opened on Sept 11, 1985 with a fireworks show. Its demise may by this week’s end be complete.
April 12, 2014. Photo by Justin Zizes.
Feb 23, 2014.
Jan 21, 2014 . . . Lettie G. Howard returns.
Sept 20, 2013. This is the last photo I ever took FROM the upper balcony of Pier 17.
Sept 12, 2013.
July 2012. A fire had broken out on the pier, and Shark was the first on scene responder. Damage was minimal, despite appearances here.
Now for some photos of vessels that have docked in the South Street area in the past half century.
July 2012 . . . Helen McAllister departs, assisted by W. O. Decker and McAllister Responder.
June 2012. Departure of Marion M as seen from house of W. O. Decker. Photo by Jonathan Boulware. The last I knew, Marion M is being restored on the Chesapeake by a former SSSM volunteer.
Lettie G. Howard hauled out in 2009.
2009. The Floating Hospital . . . was never part of the SSSM collection.
2009. Maj. Gen. Hart aka John A. Lynch aka Harlem.
Helen McAllister with Peking and Wavertree. Portion of bow of Marion M along Helen‘s starboard.
Mathilda posing with W. O. Decker in Kingston. 2009.
Moshulu now in Philadelphia.
2005, I believe. Spuyten Duyvil (not a SSSM vessel) and Pioneer.
Thanks to Justin and Jonathan for use of their photos. All others by Will Van Dorp. For many stories on these vessels, that mall, and so much more, pick up or download these books and read them asap.
Between spring 2004 and summer 2007, I volunteered about 1000 hours at South Street Seaport Museum, or SSSM, mostly on Pioneer but also on W. O. Decker and Lettie G. Howard. The experience was exhilarating—learning the lingo of schooner sailing and the lines and procedures, rustbusting and painting, all good for maintaining youthfulness and toning up aging muscle. Without my time at SSSM, there might never have been this blog called tugster about a place I imagine as the sixth (and primary) boro.
What pulled me away from volunteering was my sprouting curiosity about all the other vessels and projects and careers in the harbor with more tugboats than I could recall without the assistance of my camera. Downloading my photos after a day’s sail would lead to a night’s worth of googling, to learn what I could about the boats, companies, cargoes, and ultimately the crews. Volunteering there felt focused too exclusively on SSSM and their vessels’ tracks from Pier 16 back to Pier 16. This frustration should not have surprised me, given my lifelong wanderlust and curiosity.
SSSM has stayed with me though. One sweet memory I carry of SSSM is of the stories I heard as a volunteer about the time of creation, creation of the museum, that is. But these stories came in fragments, and the gaps between have triggered lots more questions. The more I heard, the less I felt I knew. A Dream of Tall Ships, covering the time period from 1967 until 1974 in 500 pages, is like a vessel loaded deep with memories filtered through the recollections of Peter and Norma Stanford, founders of SSSM. The account is detailed and peopled with legends from a half century ago, a time when nautical giants were feeling the urge to preserve what remained of commercial sail, both coastwise and global. People like Alan Villiers and Karl Kortum, “ship savers” who inhabit this book, strike me as optimists who could imagine second (or “new”) lives for these old vessels built a century or more before. The Stanfords recall their travels to places like Punta Arenas and the old port of Buenos Aires to purchase Wavertree, one of the tall ships that seem in hibernation down at SSSM today. The photo below–taken from among the over 60 images in the the book, shows Wavertree in the condition SSSM acquired her.
The book describes a time in the history of SSSM and New York City when it seemed that only the brightest future could lie ahead. When SSSM sponsored an event, the most powerful, brightest, wealthiest, and most generous of the city rolled up their sleeves and weighed in. In a timeline of SSSM events in the postscript pages of the book, names appearing include Jack Kaplan, Brooke Astor, as well as Laurance and David Rockefeller. Then there are giants like Pete Seeger and Burl Ives. At a January 5, 1968 meeting at the Whitehall Club to launch SSSM’s James Monroe Luncheons, the pantheon of New York’s maritime industry showed up to listen to ocean historian Robert G. Albion speak. NY political elite like Mayor Lindsay were there, as was the famed naval architect Howard Chapelle.
Real estate struggles existed already back at the creation, but it seemed manifest that SSSM would grow into a premier maritime institution, center of the New York State Maritime Museum, and more. Stanford documents the growing membership. New York was heady with the growing fleet of tall ships and other interesting vessels. Exciting happenings like Sea Day seemed to spread a love of the city’s connection with the sea, an event that predates “City of Water” day.
But don’t take my word for all the memories in this book. I hope enough of you read this book—skim quickly through the too-long segments about martinis and such– and maybe if enough of us start to glow again with embers long ignored, maybe new energies will again start up the dream to make SSSM a street of tall ships that will inspire seafarers of the future.
As I stated earlier, the book has over 60 photos, like the one below showing Wavertree first arriving at the museum, and
this one, showing ARA Libertad docked at the SSSM in July 1969 after delivering a portion of the Wavertree‘s topmast, shattered off in 1910 while rounding Cape Horn. Two other interesting notes about the photo below. First, when the Commissioner of Ports and Terminals tried to block Libertad from docking at the SSSM pier, Libertad‘s Captain Vazquez Maiztegui responded, “Libertad will berth in New York at South Street Seaport, no other place.” Second, at around the same time, Pete Seeger and Clearwater put in there to celebrate her first arrival in New york.
I immensely enjoyed this book. My only regret is that it didn’t contain 160 photos or 1600 photos. For example, on September 20, 1968, a Bronx River Towing tug delivered the vessel today known as Lettie G. Howard to Pier 16; I’d love to know more and see a photo. Square Rigger Bar & Grille is repeatedly mentioned; let’s see at least the facade. I’d be thrilled if an electronic addendum of photos from these early years could remedy this.
Again, get the book and read it soon.
Click here for some previous reviews I’ve posted.
See it there, the modest red covered barge between Wavertree and Peking? The steel covered barge is called Progress today. Once it transported coffee from ship to shore. I’m making a note to myself: learn more about these.
And right across the East River to the right of the firehouse at Fulton Landing, that modified but still modest white barge used to be Erie Lackawanna 375. It too transported coffee. More on this later. I took this foto 6/16/2009.
Here’s another modified coffee barge, this one just south of Camden, NJ, now the floating office of McAllister in that waterway.
It’s a counterpart to this McAllister office on the KVK. So given all these repurposed coffee barges I knew about, why
did it take me a day short of seven years doing this blog to go to Bargemusic, the EL 375 barge in the foto above? Shame on me, posing in the “shadow selfie” below, for waiting so long to check out this extraordinary barge.
I trekked out there yesterday in spite of the gusty sub-freezing weather to hear some music and have a look.
Jung Lin was warming up on the Steinway, as
was Andy Simionescu.
I didn’t–and one shouldn’t–take fotos during the performance, but during intermission, I went out onto the pier to see the view from the “back” of the stage.
Here’s the obit of founder Olga Bloom–with more info on her barge project– from the NYTimes almost exactly two years ago. From this article, I learn this was her third barge, that it was built around 1900, and that Peter Stamford was instrumental in getting it permission to dock at Fulton Landing. Here’s a spring 1978 article on what may have been Bargemusic’s first season. Here’s a link that gets you an interview with the current president and calendar of upcoming events. By the way, at 2:48 in that interview, a Bouchard tug passes eastbound on the East River.
Credits to those who offered marine trade skills and others can be found here.
Request: the bargemusic site credits a Captain Hearnley as the one to tow the barge to this location. Can anyone say anything about him? Does anyone know the name of the tug or . . . have a foto of that tow? When was the former EL 375 last hauled?
Final shot for today, a foto from 8/27/2010 of Volunteer passing bargemusic.
All fotos by Will Van Dorp. If you have never been to bargemusic, you’ll thank youself if you go there SOON.
Here was ASB 2. There might be eight million stories in the naked city, but in its primary boro aka the sixth boro at least half again that number of other stories could be told . . by the collective whoever knows them.
Captain Zeke moves with the diverse stone trade past folks waiting below our very own waving girl and
all those folks waving and taking fotos from the ferry and every other water conveyance.
The 1950 Nantucket‘s back in town . . for the winter.
Yup . . . no one could have predicted these . . .
back when Shearwater was launched in 1929.
A cruise ship shuffles passengers as Peter F. Gellatly bunkers.
Kristy Ann Reinauer stands by a construction barge.
A barge named Progress has returned to South Street Seaport Museum, here between Wavertree and Peking.
Emerald Coast is eastbound on the East River.
Two views of Adirondack, one with WTC1 –or is it 1 WTC or something else–and
another with the Arabian Sea unit.
And Sea Wolf heads north . . . .
All fotos by Will Van Dorp.
. . . well, only one day of it, and she’s been around for over 30,000 days. These fotos, shared by Al Trojanowicz, were likely taken on July 4, 2000. This date should be easy enough to verify, given the sailing vessel along the left side of the foto . . . Wavertree with sail bent on. Anyone know the tug escorting her?
Bertha . . . tied alongside Harvey! I’d first thought this was near Chelsea Piers, but I’ve been corrected . . . it’s at the old fireboat house, Marine Co. 6, at the foot of Grand Street in Manhattan just south of the Williamsburg Bridge. Thanks for the correction, Al. Here’s a link to the fireboat locations in the 1960s. And here are some great vintage fireboat fotos and info.
Bertha underway . . . with a hint of Wavertree on the far side of the NY Waterways vessel.
Might the tug in the distance be Pegasus?
And given the date, the Domino plant just beyond the Williamsburg Bridge might still have been in operation.
I hope to share more of Bertha‘s past, but the indiegogo fund raiser is critical for getting Bertha back into the water and sailing into the future. Click on the “save Bertha” link upper left.
Many thanks to Al Trojanowicz for sharing these fotos.