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Here are posts one through five in this series.

 

 

 

 

 

Just a photo essay, Vane tugs and barges in the KVK through all the daylight hours today.

All photos by Will Van Dorp.

 

This light is available for only a few minutes twice a day but then only if the rising or setting sun is not cloud covered.  Humidity existed the other morning too, in advance of the impending rain.  I’m not sure why, but late winter/early spring light seems richer as well, although that may be related to directionality.

Alex McAllister approached from the east end of the KVK, and her illumination and that of her background differs

from that of Amy Moran, approaching from the west end of the strait.

Pokomoke followed Alex, about a minute later, but the light has already changed.

 

Andiamo‘s port bow has caught no rays yet, unlike the west side of the dock where she’s tied up.

Meanwhile, Amy moves past and into the Upper Bay.  Lighting like this is certainly worth getting up and out for.

All photos by Will Van Dorp, who linked previous installments of this title here.

For good photos, andiamo one of these pre-dawns.

 

 

Genesis Vision has just gone onto the wire from alongside, and

tightens it, moving the barge outbound for Florida.  Click here for a 2013 photo of Genesis Vision as Superior Service.

Stephen Reinauer steams out to the Lower Bay to stand by with a barge just

vacated by Timothy L.

McKinley Sea returns in the direction of its barge out in the Upper Bay.

Hunting Creek provides a needed boost as Pokomoke moves Double Skin 39 out of the dock at IMTT.

In the fog, there’s a negotiation going on between Evening Mist and Evening Star that took me a bit to figure out . . . Ah . . .

Star goes into the notch of B. No. 250, and then Mist assists in the 180 degree turn.  Note the pink ribbon on Mist’s stack?

My father would say, “Dean‘s lit up like a Christmas tree.”

Helen Laraway . . . assisting?

 

The truth about Helen is that she was waiting as Anthem was departing.

All photos by Will Van Dorp.

 

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Graves of Arthur Kill

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Seth Tane American Painting

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My Babylonian Captivity

Reflections of an American hostage in Iraq, 20 years later.

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