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Paris this springtime has seen new waterfronts, quite miserable for anyone wedded to the old margins.  Click on the image to read the story.

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But I’m not focusing here on “paris,” but rather “pairs” that have been “pairing” around the sixth boro.  And that appears to be Flinterland over beyond the warehouses just arrived from Paramaribo.   Both Paris and Paramaribo are on my list of “gotta got there soon” places.  In the foreground and eastbound on the East River, it’s Foxy 3 and Rae.

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I caught Marie J Turecamo and Mary Turecamo doing the do-see-doe allemand left recently just off Caddell.

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The background margins seemed to be trying to add a script.

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With the Turecamos, the background served as a record of change on the Bayonne Bridge.

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And Mary appears to have just had a makeover.

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And what’s this on the margin of the sixth boro and Brooklyn . .  other than a surplus military vessel in the Navy yard?  Here’s a previous allusion to IX-514.

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Are there pairs in those boxes?  Yes, I know these are the flocks of pigeons that are said to create art when they fly.  Here though in daylight they look like Joseph Perkins boxes with living creatures in them, mimicking a microcosm of the residents of NYC.

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But I’ve somehow gotten myself off topic, but no matter, it’s springtime.

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All photos by Will Van Dorp, who took a break from catfishing and stumbled onto an answer thanks to the site naturalareasnyc.org.  According to them, NYC includes over 76,000 acres of open water, i.e., the sixth boro.  That number of acres converts to about 119 square miles (mi2).  Manhattan, in comparison is only 23 mi2.

Here are the other land boros’ areas:

Bronx, 42 mi2

Staten Island,  58 mi2

Brooklyn, 71 mi2

Queens, 109 mi2

And size matters.  It’s time for the 119-acre-boro to have its own official name and status.

OK, I’ll hand this back to the robots and reel in my catfish.

A short post . . . explained below.  If you live in reasonable travel time to the Manhattan boro, consider going to the Magnan Metz Gallery at 521 W 26th St to see Duke Riley‘s show.

Scroll to the end of this post to see references to previous works by Duke Riley.  Below is Acorn, a replica submarine (not in the current exhibit) involved in a 2007 “unauthorized” re-enactment of Bushnell’s Turtle attack on British vessels in the harbor in 1776.

To quote Eleanor Heartney in the introduction to the book accompanying the Magnan Metz show, “As American cities vie to transform their waterfronts into tourist attractions and high-end residential communities, it becomes difficult to remember that historically, the place where the city meets the sea has been the haven of society’s discards and degenerates…  long … fertile ground for tall tales and urban legends.  Duke Riley’s Imagined Histories, illegal performances and dioramic installations tap into that fast disappearing world, blending fact and fancy in a way that reminds us that history is anything but an objective science.”

The huge (say 10′ x 10′) drawing below–a centerpiece for one of the riparian tales–depicts the battle for what’s today called Petty Island (Citgo) Terminal in the Delaware River between Camden and Philadelphia.  Once it was a farm and a “kingdom” of the Laird family.  Now it’s home to a tank farm and container port.  Play this video for a clue to where I’m off to.  A foto of King Ralston Laird’s mural appears in the last foto of the last link in this post.

Riley’s huge works allude to his tattooing work.  They also suggest scrimshaw of another age.  Pynchonian in scope and beautifully Boschian in complexity and grotesqueness.   in I spent at least 15 minutes zeroing in on details in this huge tableau.

The other river tale  relates to the Cuyahoga.

If you live in NYC and think you’ve seen this work before, maybe you have:  it’s a current poster produced by Arts for Transit program.  Bonnie aka frogma wrote about it here.

I will post again when I can.  Meanwhile, get down to 521 West 26th Street.

Submarine foto above comes compliments of  Kitty Joe Sainte-Marie, Duke Riley’s project manager.  Many thanks.

Here’s an article on Duke Riley’s letter to Hugo Chavez, relative to Petty Island.  And scroll all the way through this article for a foto of King Ralston Laird atop one of the Petty Island storage tanks.

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Graves of Arthur Kill

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Seth Tane American Painting

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My Babylonian Captivity

Reflections of an American hostage in Iraq, 20 years later.

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