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All the fotos I have of Lettie G. Howard were taken five or more years ago. So why am I posting these now . . . reposting some, in fact? Here’s why: April 8, 2013 Rosanne Cash will perform a gala concert to raise funds to restore Lettie, as she is affectionately known, which needs about $250,000 worth of repairs to repair rot and maintain her sailing integrity. Rosanne Cash traces her family to an ancestor who arrived in Salem, MA in 1643 aboard Good Intent. Click here for info on buying tickets.
Right now, Lettie is docked at Pier 17 cloaked in unflattering shrinkwrap. Here’s some history of the unique vessel:
Built in 1893 at Essex, MA, in the yard of Arthur D. Story, Lettie G. Howard is named for the daughter of her first captain, Frederick Howard, Lettie fished out of Gloucester, MA, for her first eight years. In 1901, she was purchased by owners in Pensacola, FL, for use in the red snapper fishery off Mexico’s Yucatan Peninsula. After surviving two major hurricanes, she was thoroughly rebuilt in 1923 by a new owner—Thomas Welles of Mystic, CT—who installed her first auxiliary engine and renamed her Mystic C. She continued to fish under sail for the Welles Company for 43 years, until it disbanded in 1966. That year, she was sold to the Historic Ships Association in Gloucester, and in 1968 she was purchased by the year-old South Street Seaport Museum. She traveled from Gloucester to the Museum’s pier at South Street largely under sail. By then, she had been renamed twice, and her long working life had obscured her origins; research into her background led to a docking book that confirmed her identity as Lettie G. Howard.
Since 1968, Lettie has been a proud and beloved resident of South Street, where scores of fishing schooners like her used to dock to bring their catches to the Fulton Fish Market. She was designated a National Historic Landmark in 1989, and between 1991 and 1993 she was completely restored to her 1893 appearance. Lettie has operated as a certified sail training vessel since 1994, taking student crews on trips in New York Harbor and waters further afield—teaching history and ecology along with the skills and crafts of sailing, and celebrating the legacy of the North Atlantic fisheries and the Gloucester fleets.
Here’s a foto I took yesterday in Greenport of
this Morehead, NC veteran of WW1!!!
At the same locstion, I took this foto. Anyone know what manufacturer this beauty is, frontal and
And from inside the post-Sandy rebuilt Scrimshaw restaurant, I’d love to know what vessel
this figurehead once graced.
All fotos by Will Van Dorp.
Three years ago I did posts about wooden vessels and names while in the greater Cape Ann area. This time what struck me was the variety of vessels in this small but intensely important peninsula. Essex Shipbuilding Museum is always “must stop there” . . . and make a donation if you wish. Essex has fewer than 4000 people. Treat yourself to beautiful lines fleshed out in old . . .
and new like these.
I can’t hear the word “Gloucester” without thinking of fish and lobsters and other sea life. Read what Capt Joey has to say about Western Venture, here with Osprey. Joey’s GMG does “citizen journalism” par excellence on many aspect of Gloucester life, and a more historically focused website on Gloucester industry can be found here.
Vessels old and
new–like these three midwater trawlers of Western Sea Fishing— line the piers when they’re not at sea. It no secret that fishing brings risks: a vessel I featured here three years ago–Plan B-– sank earlier this year.
Small and newish like Cat Eyes or
or classic, versatile, and large like 1924 Highlander Sea (for sale) and 1926 Adventure both Essex built . . . they all lie in the few dozen acres of water in Gloucester’s Inner Harbor. See Adventure‘ s site here and some fun fotos here.
Treats appear at every glance, near and far.
Can anyone tell me more about Traveler . . and all her lives? Here’s what I learned from Good Morning Gloucester: follow the comments and you’ll learn that she was launched in “1942 by Cambridge Ship Builder, Inc. based in MD, for the US Army. She is 79.9 ft. long, was a rescue boat serving in WWII picking up downed fighter pilots and had full infirmary facilities aboard.”
More Gloucester tomorrow. All fotos by Will Van Dorp, who realizes he should come back here more often. And if you’ve never been to Cape Ann, sooner is better.
First, check “parrotlect flickrstream” along the left margin here for my favorite 45 fotos from the start of the Great Chesapeake Schooner Race last week. I had posted some of them earlier, but put them up in the moment and without the benefit of my “foto-cleanup” tools.
Here is the real predecessor for this post . . . small specialized East coast designs. And here’s a question . . . guess the loa and beam of this vessel. Answer and fotos follow.
not to emphasize the “just” there. Seriously sweet lines here.
And here. And nearby but in the shadows was a twin called Puffin. And that vintage Johnson Sea horse 18 was attached to the
the prettiest motorboat I’ve ever seen. I don’t think that Johnson comes with the blender attachment seen here!!
This is Silk. Silk is a pushboat. Believe it or not, it’s the prime mover for a 65′ skipjack, and while hauling for oysters, Silk needs to be hanging high and dry. I regret I didn’t get a chance to look at the engine.
Stanley Norman dates from 1902. And that boom looks impossibly long.
And here’s a surprise, maybe. The vessel in the top foto here is a restored 1925 Hooper Island Draketail named Peg Wallace, measuring a belief-defying 37’6″ loa with a beam of only 6’8″!! I’d written of local Chesapeake and southern boats here almost two years ago, but this was my first encounter with a draketail. Scroll down to pete44’s comment here to learn his sense of the origin of the design.
I’d love to see her move through the water.
Draketail . . . named for a duck. Make way!
All fotos by Will Van Dorp.
This is a port surrounded by people known far and wide, and although I don’t look for celebrities, I’ve crossed paths with the likes of Al Sharpton in Penn Station one dawn on my way to work and Lou Reed on the westside esplanade a rainy weekend day, I suspect a celebrity must be on a vessel to merit a water display like this one last weekend as Norwegian Star exited the Narrows.
Only when I got back home did I read the name S. S. Sophie and that it is or was the 1947 Trumpy owned by Greta van Susteren. I know she’s “a celebrity,” but as a non-consumer of TV news, I’ve no idea what her voice sounds like. And the S. S. ? steam? Nope.
Springer spaniel, the owner’s dog . . . if you read that link embedded in the 1947 Trumpy above. Here and here are tugster posts with yachts by Trumpy. Here’s a foto taken from the deck of Scanaro’s Manhattan.
All fotos by Will Van Dorp.
Is Marion M (Greenport, NY 1932) on her own power projecting that potentially gorgeous deck before her? Might she be?
I’ll be straightforward for once: Marion M has been moved away from South Street because the museum needs space. She is for sale. You/your organization can get information on purchasing her by contacting Captain Jonathan Boulware, Waterfront Director, South Street Seaport Museum. His tele and email are: 212.748.8772 firstname.lastname@example.org.
Some specifics on her history accompany bowsprite’s rendering here. Wooden tugboat W. O. Decker (1930) demonstrates that she has the stuff still in her. Decker stays at South Street Seaport Museum. Here and here are two of my many favorite bowsprite illustrations of Decker.
Again, Marion M can be yours. Contact Jonathan Boulware, Waterfront Director, South Street Seaport Museum 212.748.8772 email@example.com I’m told she’s listed in WoodenBoat‘s “Save a Classic” section, but I haven’t seen that yet.
I’d love to see her gussied up to 1932 standards. I’d even put greenbacks and sweat equity in the project. I’m reminded of what the “crazy farmers of Villiersdorp” managed to do . . . or the Onrust project in Rotterdam Junction.
Unrelated but NYTimes article about resurgence: Cross-harbor rail about to expand exponentially on the sixth boro!!
means all kinds of stuff, starting out with this. Bowsprite took this foto Thursday. Yes, that’s the VZ Bridge in the distance. Not sure what be-flagged and hatted thing does in the foreground go!.
Maersk Murotsu entered service in 2010, so she is quite new, and her raked house and plumb bow are unusual. Does it translate into
increased speed? This PDF from the Onomichi Dockyard builders call this a Shin-kurushima knuckle-shaped bow, an energy saver.
I looked for a name, but saw only this . . . ballyhoo, which reminded me of the conch republic already a quarter year ago. Can you identify the yacht?
Black Knight, head-turner that she is, sports
Nor does this large trawler in town last weekend. Know her? I love the stacks that suggest Sea Raven . . .
Here following replica vessel Clipper City past Ellis Island . . . it’s Black Douglas, with its tender Wild Oats.
Spirit of Bermuda it is, recent winner of large boat class at the Gloucester Schooner fest. Click here for a video by Capt. Joey.
All fotos taken in September 2011 by Will Van Dorp.
A lot has happened here in 10 days, although the fotos here reveal none of it. The sixth boro has its way of obscuring change, seasonal or otherwise. I know folks within 10 miles of this waterway who have no power yet and who have tossed to curb-side trash picker-uppers most of their water-befouled furniture, appliances, books, etc.
But along the KVK, Chem Antares (ex-Sichem Unicorn) transfers fluids, while
Torm Sara waits to do the same. [Doubleclick enlarges most fotos.]
Kings Point Liberator inspects other vessels along the KVK. I’d never guessed she had a wooden hull.
To get a sense of scale on ATB Freeport, note the two crew outside the wheelhouse.
So far, Freeport is the only of the US Shipping Partners 12,000 hp ATBs. Some years back, I was fortunate to have caught one of their ITBs–Philadelphia– high and dry, here and here. For an update on Philadelphia‘s current location/status, read Harold’s comment below. Thanks, much . . . Harold.
Oh, by the way, four days from now will be the sixth boro’s 19th annual tugboat race. See you there?
How many of these tugboats cruising through along the Brooklyn waterfront here can you identify? One might be as rare as a Mississippi kite soaring over New York. Answers and more info follows.
And what’s this? Also a rare film Manhatta (click here to watch the entire 10-minute 1921 silent film) by Charles Sheeler and Paul Strand greets gallery-goers at the Whitney entering “modern Life: Edward Hopper and his Time.” Only a few weeks remain to see this, as it closes on April 10. In this capture from the video, a half dozen steam tugs wrestle RMS Aquitania into a finger pier. The film becomes tugboat-intensive at the 6:25 point.
Also, Working Harbor Committee presents a rare and exciting documentary followed by a panel discussion THIS Wednesday in New York; tickets are available here. I have to work elsewhere that night, but panelists will include my friends Ann Loeding (below) and Jessica Dulong (scroll through), but also
If you haven’t checked bowsprite’s latest work, check it out here. What caught my attention other than the actual fantastic drawing was her use of the term “wooden freighter.” Well, Marion M was built in 1932, and that–from this collage of fotos–was a very different era, a time when freighters could still be wooden vessels.
Back to the first foto of this post: from left to right and excluding the white vessel in the foreground, it’s Sea Raven, East Coast, and Penn No. 4 . . . all of which you’ve seen on tugster before . . . and can relocate by typing each name into the search window. But that black-hulled, white and blue trim vessel in the foreground . . . is Hercules. I believe she’s a 2011 launch from Washburn & Doughty.
Is it possibly this is her first voyage and that she’s not yet seen the GOM waters where she live? If so, these are some rare snaps? Here she heads for the Narrows, Miss Gill behind her and Amy Moran in foreground. And why do I not recall having seen Amy Moran before?
Fotos of Ann Loeding and Linda A. Sturgis are used by permission from Jonathan Atkin. All other fotos by Will Van Dorp.