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I love the clear air of winter days, better to see details, like the horizontally mounted ladder and all the trucks in the background moving containers at the Global Terminal. See how many trucks, i.e., tractors, you count in this post.
And more trucks, as Erin McAllister stands by.
Again, see the trucks, as Scott Turecamo passes. And you wonder why I don’t do even more truckster posts.
I happened to be down by South Street Seaport’s row of ships the other day and noticed W. O. Decker there alongside Wavertree.
And then lots more traffic passed on the East River, like Ruth and
All photos by Will Van Dorp. I counted around 18–20.
Ken came up with additional photos of his overnight in the transient slip at South Street Seaport Museum many years ago . . . so here they are. Note the Twin Towers in the background. To the right side of the photo, I’m guessing that’s a mastless Lettie G. Howard and Major General William H. Hart, now languishing along the Arthur Kill.
Here’s a close up of the stick lighter, identified by eastriver as Vernie S.
Russell Grinell, among other things, was an owner of schooner Pioneer before she came to SSSM.
Here’s Black Pearl in the foreground, with a respectable looking eagle’s figurehead.
And finally, this might be the stern of Anna Christina, which sank in the “perfect storm” as mentioned in this NYTimes article.
Again, many thanks to Ken Deeley for bringing these photos he took from the transient dock several decades ago to the light. One of my tugster goals is to publish photos like these, bringing them into the “creative commons.”
Many thanks to Ken Deeley for today’s photos. The vessel with the red house is surely one of the Standard Boat stick lighter fleet, but I can’t read the name on the bow. A half decade I posted a photo here (scroll) of a decrepit Ollie, the stick lighter that used to tie up at South Street. He can’t quite put a date on this photo taken at South Street Seaport Museum’s pier. Can anyone date these photos? And what was that green/white dome in the background?
Coming down the Hudson, Ken got this photo of suction dredger Sugar Island. Currently, Sugar Island is working off Bahrain.
Many thanks to Ken for sending along these photos.
Click here for a 1992 publication by Robert Foster and Jane Steuerwald called “The Lighterage System in the New York/New Jersey Harbor,” referencing stick lighters and much more.
You may recall that back in 2014, I often juxtaposed canal&river/rail in photos like the one below.
This post was originally going to feature only photos of the river and canal from the rails, like the one below, but
then I decided to pair photos from the train toward the water with the opposite: photos from the water toward roughly the same land area where the rails lay and the trains speed.
Train shots are difficult because of speed, coatings on the windows, trees and poles along the tracks . . . but I’m quite sure a letter that begins “Dear Amtrak: could you slow down, open windows, and otherwise accommodate the photographers” would not yield a positive response.
I hope you enjoy this attempt on my part. And if you ever have a chance to ride Amtrak along the Hudson, Mohawk, and Lake Champlain . . . sit on the better side of the car; switch sides if necessary.
Here we’re on the Livingstone Avenue Bridge looking south and
here we are south of it, looking north. Yes, that’s Crow, Empire, W. O. Decker, and Grand Erie passing through the open swivel.
Here’s the pedestrian bridge in Amsterdam
as seen from both vantage points.
The 1766 Guy Park Manor from a speeding train and
Schoharie Aqueduct from Amtrak,
a slow boat, and
the east bank of Schoharie Creek.
Little Falls onramp to I-90 from rail and
The rail bridge at Lock 19 from the span and
from west of it at Lock 19.
And these all east of Utica I can’t pair, but decided to include here anyhow: a dairy pasture,
a construction yard, and
a truck depot.
Maybe if I write that “Dear Amtrak” letter, I could just ask if the window could be cleaned a bit. If you’re going to try this, take amtrak when the leaves are off the trees.
All photos by Will Van Dorp, who embeds this post from “Good Morning Gloucester” to reveal a bit of my past . . . 1988. Scroll all the way through to see a piece of shipwreck “treasure.”
Who else greeted Wavertree on the rest of the way home? John J. Harvey is always in on celebrations.
Lettie G. Howard was there,
Pioneer accounted for
herself with crew in the crosstrees.
Pioneer and Lettie teamed up at times.
Wire showed up.
newest vessel Virginia Maitland Sachs, about which I’ll post soon.
Melvillian throngs came down to the “extremest limit of land” on Pier 15 and 16, for one reason or another, but who were about to be treated to some excellent ship handling.
Rae took the lead, showing the need for tugboats of all sizes.
The larger tugs pushed and pulled as needed to ease into the slip
until all lines were fast and
and the shoreside work needed doing.
Bravo to all involved. If you want to take part in a toast to Wavertree, you can buy tickets here for the September 29 evening.
If you haven’t read the NYTimes article by James Barron yet, click here.
All photos by Will Van Dorp, who hopes I left no one out and who as before is grateful to the South Street Seaport Museum and the photographers’ boat provided by US Merchant Marine Academy and crewed by a set of dedicated cadets.
Often folks ask how one can learn about the harbor or is there a book about the sixth boro. Volunteering at South Street Seaport Museum is a great way available to all to get access to the water, to learn from like-minded folks, and to start on a journey of reading the harbor and its traffic for yourself. Each volunteer’s journey will be unique, and willing hands make institutions like this museum survive and thrive.
Almost exactly 16 months ago, Wavertree left Pier 16 for a lot of work at Caddell Dry Dock. Here was my set of photos from that day, and here, subsequent ones at several month intervals. Yesterday she made way, back to Pier 16.
Here’s looking back west. Compare the photo below with the third one here to see how much work has been accomplished on the Bayonne Bridge during the same 16 months.
Yesterday, Rae helped, as did
Dorothy J and Robert IV.
The combined age of Rae, Robert IV, and Dorothy J is 139 years, whereas the beautifully restored flagship they escorted in is 131 years old.
And as the tow approached the Statue, John J. Harvey joined in.
These photos all by Will Van Dorp, who is grateful to the South Street Seaport Museum and the photographers’ boat provided by US Merchant Marine Academy and crewed by a set of dedicated cadets.
For some interesting history on Wavertree and info on a fundraiser on board on September 29, 2016, click here. For the story of how Wavertree came from Argentina to New York, read Peter & Norma Stanford’s A Dream of Tall Ships, which I reviewed here some time ago.
More photos of the return tomorrow.
But first, this vessel bringing in my favorite celebratory drink.
The fabulous September weather has allowed this project to rush to completion. Remember, tomorrow
in early afternoon she goes on a towline back to South Street Seaport through a portion of the sixth boro of this city made great thanks to shipping work and capital. You can watch from along the KVK, from the Battery, or from South Street Seaport Museum.
The name paint is on the list of about a thousand “last” things to do before departure.
Also, enjoying the spectacular equinox weather, the crewman who becomes almost invisible in the bow
tethered to James D. Moran.
More on Peking as she gets prepared for her home-going. Doesn’t this look like a shipyard for the ages?
All photos taken yesterday by Will Van Dorp.
Here are some posts about Lettie G. Howard.
Want to join the crew for a sail to Gloucester for the 2016 schooner race, be part of the race crew, or help sail the 1893 schooner back to NYC’s sixth boro?
You’d be crew in training, integrated into watch-standing along with her professional crew.
On the return, she stops in New London for the Connecticut Maritime Heritage Festival. And all the while, you’d be supporting the good work of South Street Seaport Museum, which has many other unparalleled events coming up in the next few weeks.
Here are the specifics on ticket prices, dates, and itineraries:
The first and last photos here come from Hannah Basch-Gould; all the other have been taken by Will Van Dorp, who on these dates will be gallivanting to francophone Canada in search of Champlain’s dream.
Here were the previous posts, the last one being in April. On June 11, I took the photo below, and since then had not been back until yesterday. Note how far along the Bayonne Bridge was on that date, as well
Here’s a closer up of the rigging on June 11.
Now let’s jump forward to yesterday, August 15. Note where the crane barge
Claude G. Forbes started the morning, and
and check the progressing in rigging, compared with photo #2 above.
Yard tug Jay Bee V came out to
reposition the barge. Note the mizzen on the background.
Then the crane pivoted around and
the block was lowered and
straps added and
all systems checked and
then slowly tensioned. One end of the mast lifted from off the deck
BUT then it was lowered. I waited around for an hour more, but then had other places to be. I’ll have to pick up the Wavertree story another time.
Since I mentioned the Bayonne Bridge–its own process–here’s what the work looks like as of August 15 from over off the west end of Caddell Dry Dock .. . aka ex-Blissenbach Marina now known as Heritage Park, which in my opinion, should have foliage trimmed so as to be more user friendly for land-based photographers.
Thanks to everyone who braved the heat last night and came to the showing of Graves of Arthur Kill. Special thanks to those wizards who problem-solved our way through the technical challenges, except I had brought along an antepenultimate version . . . and sorry I didn’t have a chance to talk with everyone there. What you want–prepare for an explicit commercial message here– is this version, which Gary and I call “the director’s cut,” available for a mere $11.99.
While I’m doing “commercials,” here’s an opportunity for the right people to sail offshore on South Street Seaport Museum’s 1893 fishing schooner, up to Gloucester for the 2016 schooner races, or back, or some portion thereof. Click here for some of the many Lettie G. Howard posts I’ve done over the years.
All photos here by Will Van Dorp.
Below was she on March 10. While I was away, she was refloated.
Below is March 19. To my surprise, the masts had been unstepped.
And below was yesterday, April 17, the day when Executive Director of South Street Seaport Museum, Jonathan Boulware, conducted a tour of the work in progress. Any errors in this reportage are due to my having forgotten my pen and pad.
Since the masts–at up to 20 tons each, if I heard that right–were unstepped, their cleanup and refurbishment has begun.
The underside of the whaleback shows the details of work already completed.
This is the interior of the upper stern, looking to starboard.
Access to the cargo areas during the tour was forward.
I’m eager to see what work gets done to the bowsprit. Check out this post (and scroll) from many years ago when Frank Hanavan and I put fresh paint on that bowsprit.
Wavertree had a tweendeck back in 1895, when she called briefly in the sixth boro, which you can read about here (scroll). In the photo below, you are looking through a hatch in the tweendeck down into the main cargo hold.
And here is the main payload space, the cathedral of cargo, looking toward the stern. On a modern vessel, this would be divided into watertight compartments.
I can’t say this is the manufacturer, but this is the concept–as I understand it–for this ballast.
Mainmast will be restepped here.
Here Jonathan explains the spar work.
When the project is completed, all these spars will be aloft and potentially functional.
This cross section of a spar shows the lamination of the wood. Some of these products are provided–I believe–by Unalam.
Here are some of the finer spars, along
with the directions for re-assembly.
Work going on in the rigging shed included stripping off the old coatings and recovering the high quality old wire of the standing rigging.
Worming, parcelling, and serving protects the wire and produces such sweet smells of pine tar.
Many thanks to South Street Seaport Museum for offering this work progress tour. Any errors here are unintentional and mine.
All photos by Will Van Dorp, who thinks anyone who hasn’t read A Dream of Tall Ships by the late great Peter Stanford would really enjoy the saga of Wavertree‘s arrival in the sixth boro as told in that book.