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Many thanks to Paul for this aerial photo, said to show tugboats idled by the strike that lasted the first half of the February 1946.
Here’s the verso of the photo, in the case you read Spanish.
For more context of 1946 NYC, click here for a set of Todd Webb photos. If you have time for the 13-minute video at the end of that link, it’s well-worth it also, especially for the quote attributed to O. Henry . . . calling NYC “Baghdad on the subway,” which has a whole different set of connotations in 2015 as in O. Henry’s day.
And since we’re stuck in 1946 for now, check out this Life article with drawings about a 1946 proposal to build a “first-world” airport (my quotes) along Manhattan’s west side covering 9th Avenue to the water and between 24th and 71st!
See the decorated Dutch bar? That’s not something you see every day.
but July 4 is not an ordinary day. Just look at all those people at the land’s edge: “water-gazers” Melville called them, as you can read here with the last sentence of the second paragraph and go through the next two paragraphs. All wanting to see the decorated Dutch bar?
Marie J Turecamo brought a barge of pyrotechnics too.
Marion Moran–like Brendan Turecamo–brought a barge full to midtown, I believe.
. . . as did Doris Moran. Again, see the water-gazers fill the esplanade.
Other tugboats brought other gazers . . . sky-gazers soon.
like Kimberly Poling and .
Yemitzis, launched as a PRR tug in 1954. Click here and scroll to see her original look.
My goal at the fireworks on Pier 16 had been to get shots of Ambrose bathed in pyrotechnical light, but alas . . . without the right orientation of camera to boat to flashes . . . this is the best I got.
This photo from July 2012 was what I had imagined I could get. Well . . . it’s all about a lot of things, including location. See the different version of this shot of the left of this page and please let’s continue the discussion on the future of Pegasus.
Speaking of sky-gazers . . . from the back of the crowd on Pier 16, this is what I got.
All photos by Will Van Dorp.
And if you didn’t see this article in the NYTimes about digital photography and ethics, check it out, even if you just look at the before and after photos.
. . . with some digressions . . . . The photo below of the procession leading to the Roundup comes from Jeff Anzevino.
Digress to the left . . . on the Troy (Lansingburgh) side through the trees is Melville Park and this sign and
this house. If you’re looking for a good read about Melville’s later life on the waters off Lower Manhattan, check out this Frederick Busch historical novel.
Here’s another shot by Jeff, taken from the 112th Street Bridge. You might recognize the crewman standing beside the wheelhouse port side. There are many other posts with photos from Jeff, such as this one.
From Jason LaDue . . a photo of tender (?) Oneida taken in 2001. Anyone know the disposition of Oneida? Click here for some previous photos from Jason.
And finally, from Fred tug44 . . . locking through E2 . . . right behind us. I feel grateful to have an occasional view of self to post here. Some of you have seen some of these on Facebook.
Thanks to Jeff, Jason, Bob, and Fred for photos here.
Notwithstanding all that . .. sometimes the thought that a day is the first day in the rest of one’s life is superlatively vivid. Enjoy my pics and maybe you’ll get this sense also.
Sunday afternoon, Zhen Hua 10 enters the Kills. Does anyone know if “Zhen Hua” means anything? Note Manhattan and the tip of Bayonne to the left, and tug Brooklyn, Robbins Reef Light, and the boro of Brooklyn to the right.
The new cranes arriving and the bridge their squeezing underneath are integrally related parts of the same story, as . . .
… are the cranes and the dredging equipment in the background. Note tug Specialist in the background
Margaret Moran tends the port bow.
Gramma Lee T Moran supplies the brakes and rudder.
The ship completes its journey of thousands of miles. Is it true that Zhen Hua 10 arrived here via Cape of Good Hope?
On the same theme . . here’s a handsome team of tugs, good paint all around. Working on a tandem assignment?
My thought when I read the name on the nearer tug was . . . this is historic . . . Crow‘s last ride; the Bushey tug might also be in the last mile of its thousands and thousands in a half century of work.
She’s being escorted in by Emily Ann . . .
Crow and her sister Cheyenne DO have classic lines!
Machines on shore were already staged . . . .
while not far away a last spring seal lollygags on some warm rusty metal, once also a brand new machine.
And on the other side of Staten Island rubble of a light indispensable a century ago adapts to a new life as a rookery.
Many thanks to NYMedia Boat.
All photos by Will Van Dorp, who will be transiting himself soon. Thursday I leave on a grand gallivant, and in early June–if all goes well– I start a new chapter working on Urger, that handsome young centenarian tug you see upper left at the top of the page.
Bravo on the almost immediate and many correct identifications of the hulk in yesterday’s post.
Here’s an undated photo of SS Normandie in the sixth bork passing an unidentified Dalzell (?) tug.
Photo from John Skelson . . . PT boat eastbound on the KVK. Notice the onramp to the Bayonne Bridge in this and the next few photos. Here’s a “hidden NJ” blogpost about Bayonne’s ELCO shipyard. Here’s a list of vessels built there.
From the same location, another of John’s photos . . . destroyer, Great Lakes dredge, spectators,
and Moran tugs. Anyone add some info on the destroyer?
Recognize the bridge? This photo–from the New York City Archives, as are all the the rest here– is identified as taken in January 1937. Whaling City then was a fishing vessel. A vessel by that name operates today as a fast ferry.
Notice 120 Wall Street. This photo was taken January 1937 and shows F/V Charles B. Ashley.
Not much info on this next set . . . . a dredge from a century ago and
a survey vessel.
And finally . . . this may be the last of my black/white photos . . . the sign tells all about the attitude of the value of salt marshes a half century ago and before . . .
Thanks much to John Skelson for sharing his “family archives” photos, and if the fog over the sixth bork today has you staying indoors, go check out the New York City Municipal Archives online gallery.
So it’s appropriate to lead these NYC Municipal Archives photos off with tugboat Brooklyn.
Next in an icy North River (?) . . . . . . Richmond.
Launches Bronx and
Passenger steamer Little Silver, which ran between the Battery and Long Branch, NJ in the first decade of the 20th century.
And finally . . . John Scully, a very classy Dialogue (Use the “find” feature to search) built built tug
And the connection . . . here’s what boats of this vintage look like today in “disintegration experiments” in waters everywhere. I took these in August 2011 while Gary and I filmed Graves of Arthur Kill.
Some boats of this time, of course, still operate like Pegasus (1907) and Urger (1901)
while others try to stave off time so that they might once again like New York Central No. 13 (1887).
I’ve long subscribed to the notion that getting there should be as thrilling as arriving, so . . . let’s continue the ride backward past this 1914 post . . . to . . . 1910.
Below . . . it’s the Statue cruise of the day loading where it does today. Notice a roofed Castle Clinton–formerly fort, immigration center, music hall– in the background left.
NYC tug Manhattan . . . built 1874! Now where do her bones lie?
Steamer Brighton assisted by New York Tugboat Company’s Geo. K. Kirkham.
Front and center here is Celt (scroll through) , the yacht with many reinventions that now languishes in a creek west of Cincinnati, waiting for me . . . There’s lots of intriguing traffic in the background.
Thomas Willett built in 1908 by Alex Miller of Jersey City for a fortune in the amount of $335,000.
And finally . . . a 1911 photo of a a vessel captioned as SS Momu . . . . Tug and pier are also unidentified. The logo on the stack should help someone.
That’s it for today. I hope group sourcing can teach us more about these photos.
More from the archives . . . aerial of Pier 40 and the Holland Tunnel vent . . . photo said to be taken in 1955.
Photo said to be “three-masted schooner” in 1937. Clearly that’s not a schooner there with the GW Bridge in the background. Anyone know what sailing ship that might have been?
SS Normandie . . . headed for the North River piers.
City of Chattanooga December 1937.
Brooklyn docks as seen from Brooklyn Heights, November 1937. Here’s a Munson Lines flyer.
Here’s the schedule–sorry for all the repetition–for Wednesday evening’s documentary portion of the Art of Brooklyn Film Festival, where Graves of Arthur Kill will be shown. Gary and I will hang for a while at Park Plaza Bar after the show. It may be mobbed?
I didn’t want to call this post “something different 19” because clearly it wouldn’t be different from the previous days. A pattern has emerged, and then I realized that part of the pattern is that these photos depict some of the unidentifiable vessels lost in boneyard or ship graveyards like the one focused upon in the documentary Graves of Arthur Kill. Here they are, in their prime or at least working although forgotten.
All the photos in this post were taken during the Great Depression, by photographers who were funded through the WPA, Works Progress Administration. I am grateful this documentation happened. And my caption are based on the captioning–specific or general–accompanying the photos in the archives.
Below . . . US Gypsum tug. notice the Bayonne Bridge on the horizon near the left edge of the shot.
Photographer Ralph de Sola took this shot of tug Sarah and much smaller one without a name I can find.
I’m intrigued here by the “car float” marked “Brooklyn Jay Street Terminal . . .” shifting rail cars from right to left. Is that a McAllister tug on the far side? And is that how the Staten Island ferry terminal looked in the late 1930s and what is the building on the water left side of photo where the Coast Guard Building is now located?
Here’s an intriguing E. M. Bofinger photo dated June 1938, taken from . . . foot of Wall Street? If Bennett Air Service is at all related to Floyd Bennett and the now unused Floyd Bennett Field, it’s noteworthy that Floyd Bennett himself had died–age 37– in April 1938. Click here for many more Bofinger photos.
Another photographer of water scenes in the archives is James Suydam. Here are piers 13 through 15, the area currently just south of South Street Seaport. Prominent against the sky then was 70 Pine, just to the left of stepped back 120 Wall. The other two are 40 Wall (with antenna) and 20 Exchange, south of 120 Wall.
Here’s a photo attributed to Treistman, said to be taken from the top of Seamen’s Institute and looking over the same piers as shown in the previous photo.
Again, the context here . . . Wednesday night, come see the Graves of Arthur Kill, our documentary screened at the Art of Brooklyn Film Festival on tugboats and other vessels of this era and older and what became of them.
And if you’re free the night before, check out this program on salvage sponsored by Working Harbor Committee.
I took six of these fotos with my camera and four with another, given to me, that costs three times as much as mine. Can you distinguish which is which? I realize I might NOT YET be able to get top performance from the second camera. Or maybe in this format it’s impossible to distinguish one from the other . .. because they’re like oil and oil. Or like these two tankers, contorted together like slugs in love. Ever seen slugs in . . . love?
Mahanadi Spirit gets assisted from her berth by
Answer is down a bit.
Slugs in love . . . I first saw it waiting at the commuter rail station a few weeks back at 6:15 am, thinking I should have had more coffee . . . .
Please . . . some feedback. Be blunt and frank about the quality of fotos on this blog. Pass the link onto any professional photographers even. I’m re-examining my aesthetic. And after seeing slugs in love, I can handle anything, even dragonfly love.
Answer: The first three were with my usual camera, then three with camera B, then
two one with mine, then one more with camera B, and the last two were with mine. The two cameras in question were mine (SP 590-UZ Olympus) whose weight and zoom capability I love and a Sony Cyber-shot DSC R1.