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Let’s start with Bjoern’s photos from a month ago just about already. The New York Media Boat runs almost all year round and provides wet and cold weather gear.
Actually I took this photo, intending it as a baseline photo for the process of preparing the barque to travel the Atlantic next spring, on the deck of a heavy lift ship. I took this photo near Caddell Dry Dock almost two weeks ago.
A really gallivanting Larry Seney took the next few photos in Hawaii: Namahoe,
Thanks to Alex Weiss for this photo of Independence.
Ted M sent this papa smurf aka Pleon photo taken in early August in New Bedford. Now it’s over in the Arthur Kill.
And the last photo comes from an East River jogger, Art Feinglass, who took this photo of Navigator passing the old Domino Sugar refinery, an architect’s playground.
Thanks to Bjoern, Larry, Alex, Ted, and Art for these photos.
Given the glorious sunshine, the transition from summer to fall begs another series. Let’s start with Maule,
2/3s of her escort, and
a fraction of her crew.
Following in Maule‘s wake, Helsinki Bridge arrives, here with half its escort.
McKinley Sea traverses the Upper Bay and passes
In the harbor was Cordula Jacob and Seastar, as seen from two angles.
with some ferries and a Miller’s Launch crew boat.
Caitlin Ann and
Miss Lizzy work the AK and in the
KVK, for the last day, there are two glorious ships with bright futures . . .
All photos by Will Van Dorp.
But first, this vessel bringing in my favorite celebratory drink.
The fabulous September weather has allowed this project to rush to completion. Remember, tomorrow
in early afternoon she goes on a towline back to South Street Seaport through a portion of the sixth boro of this city made great thanks to shipping work and capital. You can watch from along the KVK, from the Battery, or from South Street Seaport Museum.
The name paint is on the list of about a thousand “last” things to do before departure.
Also, enjoying the spectacular equinox weather, the crewman who becomes almost invisible in the bow
tethered to James D. Moran.
More on Peking as she gets prepared for her home-going. Doesn’t this look like a shipyard for the ages?
All photos taken yesterday by Will Van Dorp.
Bravo to South Street Seaport Museum and all its supporters. From their press release: “A celebratory send-off on May 21, 2015 at 12:30pm on Pier 15, with Tom Finkelpearl, Commissioner of the NYC Department of Cultural Affairs; Manhattan Borough President Gale A. Brewer; City Council Member Margaret Chin; Dr. Feniosky Peña-Mora, Commissioner of the Department of Design and Construction; Captain Jonathan Boulware, South Street Seaport Museum Executive Director; and other City Officials.”
“This $10.6 million stabilization and restoration project is funded by the NYC Department of Cultural Affairs, the New York City Council Office, and the Office of the Manhattan Borough President. The project will be undertaken at Caddell Drydock and Repair in Staten Island and will address critical long-term preservation of the ship.”
This will be a long visit to the yard.
If you want to see her at the East River dock, you’ve got only about 48 more hours.
For photos of Wavertree arriving in NYC in 1970 and in Argentina before that, click here and scroll.
Wavertree, steady as she goes.
Tangentially related: given that Wavertree–like Peking–is a “wind ship” without auxiliary power, here’s some exciting news from New England Waterman blog
Here are some previous “fifth dimension” posts in which I attempt to time travel to the harbor past. Sunday morning I strolled down to Pier 16 on the East River . . . and felt like Alice–the one that falls into rabbit holes. Peking . . . and very old advertisements.
And there’s a new immigration office there? No hours of service were listed anywhere.
The health inspection station was unstaffed as well.
I thought all these ferries departed from the Battery.
Steerage on Peking . . . might kill you.
Why another war!?
The mass transit prices are good, somewhere.
And then a passenger vessel appears . . . Zephyr??! And I have to pass the Potemkin facades . . . .
I’d seen enough . . or too much, so I headed for the Battery on foot, where . . . I saw
a landing craft marked 502. And all I’d had to drink was coffee, along with a wholesome breakfast.
The real story of Pier 16 . . . it’s a film shoot. It’s New York after all. you might recall my stumbling upon a set for Boardwalk Empire down in the Rockaways almost two years ago; click here and scroll.
All photos were taken Sunday by Will Van Dorp.
Exactly six years ago I heard a reawakening Peking . . as I wrote here, I felt a pulse, heard a breath. A warm flow began to within that shell too cold and too long. . . Peking in the Upper Bay was calling on buoyancy it once had here south of South America. I allowed myself to feel a little hope. Possibly this trip to the dry dock would be a preliminary to a miraculous rebirth.
But too much time has passed again . . . momentum has dissipated. Undercurrents in this article suggest the end is starting to be acknowledged.
but IMHO, this is alright. Mortality stalks all of us. So here’s my proposal: let those who hold her destiny organize a decommissioning, a wake. She arrived–I imagine–with some fanfare if not an official commissioning for her imagined new role in 1975 . . . first at the Narrows here and then–in November 1975, according to A Dream of Tall Ships–from the shipyard up to the East River. How about a party now . . . as then. And then . . reef her, ceremoniously.
Opinions are entirely my own.
First, if you’re free today and within travel distance of Lower Manhattan, do yourself a favor and attend this event, 4 p. m., a book signing by Dr. James M. Lindgren. His new book is a much needed complement to Peter Stanford’s A Dream of Tall Ships, reviewed here a few months ago. Details in Preserving South Street Seaport cover almost a half century and will enthrall anyone who’s ever volunteered at, donated to, been employed by, or attended any events of South Street Seaport Museum. Lindgren laments SSSM’s absence of institutional memory saying, “Discontinuity instead defined the Seaport’s administration.” Amen . . as a volunteer I wanted to know the historical context for what seemed to me to be museum administrations’ repeated squandering of hope despite herculean efforts on the part of volunteers and staff I knew.
As my contribution to creation of memory, I offer these photos and I’d ask again for some pooling of photos about the myriad efforts of this museum over the years.
Pier 17. April 17, 2014. According to Lindgren, this mall opened on Sept 11, 1985 with a fireworks show. Its demise may by this week’s end be complete.
April 12, 2014. Photo by Justin Zizes.
Feb 23, 2014.
Jan 21, 2014 . . . Lettie G. Howard returns.
Sept 20, 2013. This is the last photo I ever took FROM the upper balcony of Pier 17.
Sept 12, 2013.
July 2012. A fire had broken out on the pier, and Shark was the first on scene responder. Damage was minimal, despite appearances here.
Now for some photos of vessels that have docked in the South Street area in the past half century.
July 2012 . . . Helen McAllister departs, assisted by W. O. Decker and McAllister Responder.
June 2012. Departure of Marion M as seen from house of W. O. Decker. Photo by Jonathan Boulware. The last I knew, Marion M is being restored on the Chesapeake by a former SSSM volunteer.
Lettie G. Howard hauled out in 2009.
2009. The Floating Hospital . . . was never part of the SSSM collection.
2009. Maj. Gen. Hart aka John A. Lynch aka Harlem.
Helen McAllister with Peking and Wavertree. Portion of bow of Marion M along Helen‘s starboard.
Mathilda posing with W. O. Decker in Kingston. 2009.
Moshulu now in Philadelphia.
2005, I believe. Spuyten Duyvil (not a SSSM vessel) and Pioneer.
Thanks to Justin and Jonathan for use of their photos. All others by Will Van Dorp. For many stories on these vessels, that mall, and so much more, pick up or download these books and read them asap.
Between spring 2004 and summer 2007, I volunteered about 1000 hours at South Street Seaport Museum, or SSSM, mostly on Pioneer but also on W. O. Decker and Lettie G. Howard. The experience was exhilarating—learning the lingo of schooner sailing and the lines and procedures, rustbusting and painting, all good for maintaining youthfulness and toning up aging muscle. Without my time at SSSM, there might never have been this blog called tugster about a place I imagine as the sixth (and primary) boro.
What pulled me away from volunteering was my sprouting curiosity about all the other vessels and projects and careers in the harbor with more tugboats than I could recall without the assistance of my camera. Downloading my photos after a day’s sail would lead to a night’s worth of googling, to learn what I could about the boats, companies, cargoes, and ultimately the crews. Volunteering there felt focused too exclusively on SSSM and their vessels’ tracks from Pier 16 back to Pier 16. This frustration should not have surprised me, given my lifelong wanderlust and curiosity.
SSSM has stayed with me though. One sweet memory I carry of SSSM is of the stories I heard as a volunteer about the time of creation, creation of the museum, that is. But these stories came in fragments, and the gaps between have triggered lots more questions. The more I heard, the less I felt I knew. A Dream of Tall Ships, covering the time period from 1967 until 1974 in 500 pages, is like a vessel loaded deep with memories filtered through the recollections of Peter and Norma Stanford, founders of SSSM. The account is detailed and peopled with legends from a half century ago, a time when nautical giants were feeling the urge to preserve what remained of commercial sail, both coastwise and global. People like Alan Villiers and Karl Kortum, “ship savers” who inhabit this book, strike me as optimists who could imagine second (or “new”) lives for these old vessels built a century or more before. The Stanfords recall their travels to places like Punta Arenas and the old port of Buenos Aires to purchase Wavertree, one of the tall ships that seem in hibernation down at SSSM today. The photo below–taken from among the over 60 images in the the book, shows Wavertree in the condition SSSM acquired her.
The book describes a time in the history of SSSM and New York City when it seemed that only the brightest future could lie ahead. When SSSM sponsored an event, the most powerful, brightest, wealthiest, and most generous of the city rolled up their sleeves and weighed in. In a timeline of SSSM events in the postscript pages of the book, names appearing include Jack Kaplan, Brooke Astor, as well as Laurance and David Rockefeller. Then there are giants like Pete Seeger and Burl Ives. At a January 5, 1968 meeting at the Whitehall Club to launch SSSM’s James Monroe Luncheons, the pantheon of New York’s maritime industry showed up to listen to ocean historian Robert G. Albion speak. NY political elite like Mayor Lindsay were there, as was the famed naval architect Howard Chapelle.
Real estate struggles existed already back at the creation, but it seemed manifest that SSSM would grow into a premier maritime institution, center of the New York State Maritime Museum, and more. Stanford documents the growing membership. New York was heady with the growing fleet of tall ships and other interesting vessels. Exciting happenings like Sea Day seemed to spread a love of the city’s connection with the sea, an event that predates “City of Water” day.
But don’t take my word for all the memories in this book. I hope enough of you read this book—skim quickly through the too-long segments about martinis and such– and maybe if enough of us start to glow again with embers long ignored, maybe new energies will again start up the dream to make SSSM a street of tall ships that will inspire seafarers of the future.
As I stated earlier, the book has over 60 photos, like the one below showing Wavertree first arriving at the museum, and
this one, showing ARA Libertad docked at the SSSM in July 1969 after delivering a portion of the Wavertree‘s topmast, shattered off in 1910 while rounding Cape Horn. Two other interesting notes about the photo below. First, when the Commissioner of Ports and Terminals tried to block Libertad from docking at the SSSM pier, Libertad‘s Captain Vazquez Maiztegui responded, “Libertad will berth in New York at South Street Seaport, no other place.” Second, at around the same time, Pete Seeger and Clearwater put in there to celebrate her first arrival in New york.
I immensely enjoyed this book. My only regret is that it didn’t contain 160 photos or 1600 photos. For example, on September 20, 1968, a Bronx River Towing tug delivered the vessel today known as Lettie G. Howard to Pier 16; I’d love to know more and see a photo. Square Rigger Bar & Grille is repeatedly mentioned; let’s see at least the facade. I’d be thrilled if an electronic addendum of photos from these early years could remedy this.
Again, get the book and read it soon.
Click here for some previous reviews I’ve posted.
I’d planned something else for today, but when Brian DeForest, terminal manager of Atlantic Salt, sent along these fotos –taken Sunday from a unique perspective, I scrapped my erstwhile plan. See the orange details in the foreground?
These are fotos from the ship, which is currently moving at 10 to 11 knots southbound off Cape May. That’s the Bayonne Bridge and
here’s the arm conveying salt onto the pile.
I’m sure this has a technical term, but I’ll call it the bracket that supports the arm when not in use.
And here’s a view into the traveling wheelhouse and
Here is engine room info.
Finally, here’s Quantico Creek as seen from the bridge wing.
Here’s a foto I took nearly six years ago on the KVK looking off the starboard bow of a large vessel of another time–a century ago–that used to engage in a salt trade out of Chile. Know the vessel?
Answer: Peking. Here’s one of six posts I did about that transit of Peking from Caddell’s back to South Street Seaport Museum waters.
Many thanks to Brian DeForest for all these fotos, except the last one.
A thought just occurs to me: Chile’s main salt port today is Patache. Could that word be a Spanish spelling/pronunciation of the word “potash”?
Here was ASB 2. There might be eight million stories in the naked city, but in its primary boro aka the sixth boro at least half again that number of other stories could be told . . by the collective whoever knows them.
Captain Zeke moves with the diverse stone trade past folks waiting below our very own waving girl and
all those folks waving and taking fotos from the ferry and every other water conveyance.
The 1950 Nantucket‘s back in town . . for the winter.
Yup . . . no one could have predicted these . . .
back when Shearwater was launched in 1929.
A cruise ship shuffles passengers as Peter F. Gellatly bunkers.
Kristy Ann Reinauer stands by a construction barge.
A barge named Progress has returned to South Street Seaport Museum, here between Wavertree and Peking.
Emerald Coast is eastbound on the East River.
Two views of Adirondack, one with WTC1 –or is it 1 WTC or something else–and
another with the Arabian Sea unit.
And Sea Wolf heads north . . . .
All fotos by Will Van Dorp.