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Sarah D passes the Con Hook range markers while leaving the Kills the other day.

Subjective only, I find Sarah D, ex-Helen D. Coppedge–a very attractive boat.

I was pleased to get these photos with Newark NJ and

the occupants of Bayonne Dry dock in the background.

All photos by Will Van Dorp.

Unrelated to Sarah D, here’s a story of the connection between Con Hook and the Rockefellers.

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Oh the stories this place could tell . . . in years as stable and livery, bar, hotel, photography unit, and residence;  it could tell stories of our mutual friend Sam.  More on Sam later.

And oh the stories Lucy H could tell about her odyssey from the bayous all the way to Troy . . .

 

where we two crossed paths on this beautiful autumn day.

 

As the sun set, Betty D showed up as well, a similar story to tell, no doubt.  And I’m wondering what’s the story with the far bank?  As I recall,

that was covered in volunteer under- and overgrowth, which seems to have been cut recently.

If I read my map right, the far bank there is Watervliet, birthplace of Leland Stanford and home of an arsenal with a notable iron building.

As night falls, Betty D makes her way northward under the Green Island Bridge.

 

I didn’t forget:  here’s Sam.

All photos and sentiments by Will Van Dorp.

 

What gives the location away . . . if you’ve never seen Albany, is the prolate spheroid along the right side of the photo.   Prolate spheroid?  Think football.  But actually that one is called the egg.  It’s a performing arts center, and I’ve never been inside. Albany is the new home of Marie J. Turecamo.

You’ll often see a Reinauer unit parked here, this time it was Haggerty Girls with RTC 107.

Two of these Liebherr Mobile Harbor Cranes serve to transfer heavy cargoes.

 

Although Albany is over 120 miles from the Atlantic, ocean-going vessels call here regularly.

Road salt was the

cargo delivered by Siirt.

Mary Kay stands by;  she previously appeared here as Mary Loy Turecamo.

Closing out this look at the port of Albany, a common barge cargo out of Albany is scrap metal.

All photos by Will Van Dorp, who will post again after finding reliable wifi.

It’s been a while since I used this title.  I went there yesterday morning to have a long walk but beat the impending heat.  Besides, a setting moon over Staten Island beckoned, and I had to be up early anyhow to milk the cows . . ..

Well, that was a kink in the time continuum.  But Eric McAllister had work,

as did Sarah D . . .

and Fidelio had arrived from who-knows-where over the horizon, a string of US ports but the voyage beginning in Lázaro Cárdenas, Mexico.

 

 

 

For Sarah D, once she’s past High Power, likely she’ll go to Inwood and then upriver.

All photos by Will Van Dorp.

Really random means just that . . . so that’s start with this one, Tutahaco, YTM-524, which has recently been hauled out of the water  between Daytona and St Augustine.   Michael Schmidt took these photos back last winter.

She worked for a time in Guantanamo Bay, Cuba.

The next two photos come from Allan and Sally Seymour, whose twotugstravelin’ blog was mentioned in yesterday’s post.  Kathleen Turecamo (1968) is a staple these days in the Port of Albany.

A bit farther north on the Hudson in Troy is the footprint of NYS Marine Highway Transportation Company.  Pictured here from r to l are Margot, Benjamin Elliot, and Betty D; built in 1958, 1960, and 1980, respectively.

The next photo is from Kyle Stubbs, who writes “the original JOVI is still around. The simple answer is yes, and she’s quite a ways from the Sixth Boro, now taking up residence in San Diego in the service of Pacific Tugboat Service as the JAG. I’ve attached an image of her I took this past September.”  Kyle sent the photo along in response to a question about Lil Rip I’d posted here some years back.

George Schneider picks up the Lil Rip‘s origins question here and sends along his own photo of Jag, to wit ”

I was very suspicious of the story she was made from part of a Liberty Ship, since hacking up something like that just to make a push boat didn’t make sense.  But somewhere along the lines, I realized the LIL RIP was registered at 54 feet long.  I found a Liberty Ship was 57 feet wide, so that’s perfect, considering they had to cut away some of the “stern” for the propellers, so the registered length would be a few feet shorter than overall.

That gave me a reason to believe the reputed origins of the boat were true.  It makes even more sense, because if you realize the scrap yards generally had no drydocks or slipways, they’d cut a ship like that down to the tank tops while it was afloat, then somehow had to dispose of the double bottoms.  Sometimes they just took them out and sank them since it took so much extra effort to clean and cut them up.  But in New Jersey, whose coastline is inland, they probably had to cut them apart and lift them ashore, and voile!  What a perfect hull to build a pushboat on!

So I’m wondering if anybody has added more to the comments on that day’s page.  If anybody has ever seen her “on the hard,” they might have measured her across the deck, and if that measures a perfect 57 feet in length, I’d say that’s pretty close to proof.  I looked up the liberty ships sold for scrap 1961-64, and none were scrapped in Elizabeth NJ, nor were any scrapped by her owner.

But several deceptive things are at play here:  1)  A ship sold for scrap was not legally reused for anything, so the title to something made out of the pieces couldn’t reflect the original vessel.   2)  If the ship wasn’t sold for scrap, was “Sold for Non-Transportation Use’ which was also sometimes authorized, she might not have been included in the list of vessels scrapped, and 3)  Vessels were often bought by distant companies, then found the vessel couldn’t practically be towed to their scrapyard, were sold or contracted to other companies for scrapping.

As for the question of the original JOVI (283905), she kept her name long after the JOVI II, working for various East Coast companies, but then made her way out here to San Diego, where she now works.  She has worked as TUG JAG, then KODAK, and now simply JAG.  I’ve attached, unfortunately, the best and only digital photo I’ve taken of her.  You can reproduce this any way you’d like.”

Now I’m wondering about Logan and Mate.  Logan shows in the NOAA registry as built in 1974 and formerly called Kodak, Jag, and Guppy.   Mate doesn’t show.

Sarah D (1975) worked for White Stack, Turecamo, and Moran (each bought out the previous company) before coming to NYS Marine Highway.

And finally, once again out and about in the sixth boro, it’s W. O. Decker, the 1930 wood-hulled tugboat of South Street Seaport Museum.

Click here for some of the dozens of posts I’ve included Decker in.

The last three photos are by Will Van Dorp;  thanks to Michael, Allan, Sally,  Kyle, and George for the other photos.

Thanks to Erich Amberger for these photos up near Mechanicville.  According to Erich, this could be the first boat on the canal this season.

Lock C-2?

 

And it’s the mighty Betty D, which I’ve caught here only once.

One of my goals for this summer is to travel the Champlain.

 

Many thanks to Erich for whetting my appetite.

 

The venerable Frances came past to greet me first . . .

Lots of digital ink has been devoted to Frances on this blog.  I even toured her once at the Waterford Tug Roundup.

I watched Potomac and Double Skin 59 made fast alongside Afra Willow as she slowly swung on her hook with the tide change.

Wicomico was outbound with a barge on the wire as

Patapsco had come in

with Double Skin 59 earlier.

And finally, this unidentified truckable tug came in.  When she was way out, I imagined her a sailboat.

All photos by Will Van Dorp, who really should spend more time at the Narrows.

Photography means “light writing,” or writing with light.  George Eastman said, “Embrace light. Admire it. Love it. But above all, know light. Know it for all you are worth, and you will know the key to photography.”

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Obviously I’m interested in the subject matter, but playing with light makes the subject matter more fun.

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“What makes photography a strange invention is that its primary raw materials are light and time.” John Berger

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To comment on the ships, anyone know what product is being discharged from Tatjana?  I believe that’s Frances alongside.

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What makes getting up early so easy is this:  the glow.  Of course, I need to get out there to get the shot.  As Henri Cartier-Bresson said, “It’s an illusion that photos are made with the camera….they are made with the eye, heart and head.”

Merci, Henri.

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That’s NS Stella above and High Strength and Harbour First below.

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The photo of Silver Sawsan below was taken about half an hour after the previous ones, and the light by then is less rich, no matter how bright the orange is.  Ernst Haas says, ““You don’t take pictures, the good ones happen to you.”  And they USUALLY happen during that first hour after dawn and the last one before dusk.  

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I used to fish a lot, and I thought the same thing about fishing.

All photos by Will Van Dorp.

It was a warm but cloudy day . . .

Frances came by, as

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did Barry Silverton on a delivery to the Bay State,

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Ellen McAllister to meet a ship,

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and Elizabeth Anne.

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After a lull, there was a burst of traffic again:  Sea Fox,

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Sea Wolf in a hurry,

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and JRT Moran.

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All photos by Will Van Dorp.

 

I’ve done other East River series, but it’s time to start a new one.  The next 12 photos were taken yesterday over a total elapsed 11 minutes!  I happened to be near South Street Seaport in hopes of catching santacon craziness there, as I did many years ago here.

Let’s start with Alice discharging aggregates, and barely recognizable, that’s Matilde the cement making vessel.

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A longer shot reveals a clutch of kayakers, which I hadn’t seen while shooting.

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Down by Red Hook, I see Frances approach with two barges of aggregate.

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Dean Reinauer passes, pushing a deeply laden

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RTC 106.

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Those are the stacked lanes of the BQE with the Brooklyn Heights esplanade atop.

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Buchanan 1 heads in the same direction as the other two units, but at a slightly greater speed than

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Frances.

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Again . . . all in 11 minutes.

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All photos by Will Van Dorp.

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