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From the air you can see the traffic . . . the sinuous lines it scribes into the legendary river.

From the bank, you can see sometimes three tugs abreast (l. to r. Bobby Jones-1966, David G. Sehrt-1965, and Born Again-1974) pushing more than a dozen barges slipping around the turn between Algiers and the 9th Ward.  And when I say slipping, I mean even big vessels seem to slide through this crescent. That erosion in the foreground bespeaks higher water.

Uh . . . a variation on seasnake?

Crescent’s J. K. McLean (2010 at C & G Boatworks of Mobile, AL) and New Orleans (1998 at ThomaSea) maneuver in front of 1995 American Queen.

Close-up of McLean.

Empty Barge Lines’ Grosbec (1980).

Olga G. Stone (1981) pushing oil downbound.

Miss Abby (1960 ?) upbound.

Slatten’s Allison S (1994) light and headed upstream past Bollinger’s.

Ingram Barge Company’s Mark C.  A few years back, I saw Ingram boats all the up in Cincinnati, OH and Pittsburgh, PA.

Another Ingram vessel featured a few days ago . .  . David G. Sehrt.

Vickie (1975) pushing  . . . crushed concrete maybe . . .

Port Allen (1945?!!)

Chelsea (1989)

I’m back at work in environs of the sixth boro, and this is the last set about Nola strictly defined.  Tomorrow I hope to put up some fotos from a jaunt-within-a-gallivant southwest from the Crescent City, a truly magical place to which I really must return soon because there’s much I’ve yet to understand . . . like why

the nola hula only appears to salute certain vessels.

And is it true there’s a nun driving a tugboat somewhere on the Lower Mississippi?  Here’s a ghost story, and if you have a chance to find it, listen to Austin Lounge Lizard’s  “Boudreaux was a Nutcase.”

All fotos by Will Van Dorp, who also has tons of fotos from Panama to put up.

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