You are currently browsing the daily archive for October 12, 2009.

is the  name of Pamela Talese’s show (til end of October) at Atlantic Gallery at 135 W 29th Street Suite 601 in Manhattan.  Pamela and I share some large interests . . . like her take on Alice Oldendorff and

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and mine.

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Hers of Penobscot Bay, now

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gearing up for ice-breaking duty, and mine.

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Charleston, being painted in dry dock and

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fotograffed in KVK.

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Pamela has worked in cold weather and

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and warm to

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capture the ubiquitous

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changes wrought by rust and paint . . . in paint.  Below, she travels to her “studio” via the paintcycle.

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See her website here.  See her work at the Atlantic Gallery soon.

A description of people along the waterfront in the first chapter of Moby Dick omits a class; Melville mentions some  “posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks . . .”   To do the unthinkable of completing Melville, my annotation here:  “still others women as well as men devoted to the arts, brush in hand, gazing in turn at ship and then at canvas . .  or notebook, then searching with paints or inks or charcoal . . . ”  Go Pamela.  Go others!  I love it.    More waterfront art soon.

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Graves of Arthur Kill

Click to order your copy of Graves of Arthur Kill, by Gary Kane and Will Van Dorp. 3Fish Productions.

Seth Tane American Painting

Read my Iraq Hostage memoir online.

My Babylonian Captivity

Reflections of an American hostage in Iraq, 20 years later.

Tale of Two Marlins

Blue Marlin spent 600+ hours loading tugs and barges in NYC Sixth Boro. Click on image for presentation made to NY Ship Lore and Model Club, July 25, 2011.

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