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A year ago I was pessimistic and wrote a bleak post and made this offer.  I have now officially passed some benjamins.   Last Saturday I went back to the South Street Seaport Museum and the new life excited me.  First, there’s this new blog, which I hope continues.  My friend John Watson, volunteer at the museum for decades and frequent contributor on tugster, has been responsible for many of the fotos.

Then, of course, volunteer spirit at SSSM has been irrepressible.  On Saturday February 18, over two dozen volunteers doing winter maintenance worked on or in four of the vessels at least.  A year of idleness has allowed rust to invade everywhere, rust that needs to be busted.

Hammers, chains, power grinders . . . whatever would combine with sweat to prep for rust inhibitor and ultimately new paint was pressed into service. I even set down my camera a few hours and assaulted some areas of rust, just because I enjoyed it.

Leaks were stopped, even if only with temporary fixes for now.

Hatches were sanded and painted.

It’s no simple cliche that rust never sleeps, and big projects like Wavertree require huge infusions of cash and effort to hold off the ravages of time.   But the spirit of volunteerism is also indispensible.This googlemap view shows where all the current museum vessels used to park.  Can you name them all?  Some may still go to better places.

Ambrose and Lettie G. Howard often docked in the open space here;  they are off-site for repair and refurbishing before they return.What really impressed me was inside Schermerhorn Row.  Floor 3 has “Super Models,”  ship replicas from the collection, smartly displayed.

It also has “Bottled Up,”  miniature vessels in glass.  And if you want to see how ships navigate the bottleneck, you can find a display on that too.

Contemporary hand tools are used rust-busting the ships outside, but Floor 4 has “Hand Held Devices,” an installation of scores of historic hand tools, some of

which you might not recognize, but

then there’s an interactive display that can

help with that too.

Floor 5 has “Coffee, Tea, Fish, and the Tattooed Man,” all

tributes to trades that once transacted just outside the building on the docks.

On the way back down, stop again on Floor 3 for a set of Edward Burtynsky‘s stunning fotos of shipbreaking in Bangladesh.

But don’t take my word for any of this. There’s more than I describe here.  And more to come . . . like the re-opening of some form of research library . . . .   Become a member.  Come and visit.  Stop by and bust rust.   The barge name here describes what’s happening at the Museum.

South Street Seaport is once again

alive!  My fotos don’t really do it justice.  Bravo to all who made this happen.

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Graves of Arthur Kill

Click to order your copy of Graves of Arthur Kill, by Gary Kane and Will Van Dorp. 3Fish Productions.

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Seth Tane American Painting

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